J. Whitney Williams |
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Editor's ReviewAuthor J. Whitney Williams follows CARRIED AWAY--his surprisingly intelligent and deftly written debut--with a story that is even sexier, more thrilling and more enthralling than the first. Again taking the reader on a trip across the world, meeting strange people in strange places via a prodigious narrator, CHOSEN PATH follows Yumi, a powerful and apparently dispassionate supporting character introduced in book one. But appearances deceive. Here, the reader is immersed in Yumi--into the very depths of her complex mind, her conflicted yet determined soul, her insatiable sex drive. When Yumi encounters the woman who she presumes to be the fiancee of the love of her life--perhaps her only true love--she has every reason to seize the opportunity that presents itself to erase the woman from both of their lives forever. It's no wonder Yumi is the prime suspect for the unfortunate woman’s swift and seemingly heartless murder. Unable to recall herself, Yumi assumes the worst, too. It wouldn’t be the first tragic fate to befall someone who stood in her way--or the last--and cameras don't lie. In CHOSEN PATH, Williams explores the very essence of what makes us human. The protagonist, a uniquely flawed yet extraordinarily likable woman of many talents and trades, demonstrates the jealousy and manipulation we see in ourselves and despise in others. At the same time, we're drawn to Yumi. Geisha. Samurai. Assassin. Pseudo-royalty. Nothing happens to her; she creates. If we all shaped our own circumstances, our destinies, as adroitly as she, what paths would we choose and where would they lead us? ExcerptDetective Robinson jumped at the thud of a bottle of Macallan hitting the bar top in front of him. He looked over at the woman holding it and said, The whiskey-bearer, a Japanese woman in a business suit, mounted the stool next to him. Robinson took the bottle's neck between his fingers and turned the label toward him, scrutinizing it as if it would tell him what was happening to him and why.
The woman's sunny smile went well with the tempo of her rhythmic turns.
The swivel--and the smile--stopped dead, facing forward, aimed at something on the far side of the wall behind the bar. An echo in the highball glass he'd been consulting while she spoke drew out Robinson's exclamation.
He spun to face her and demanded,
With one hand holding the detective's ancient flip-phone and the other twirling a lock of hair, she said, Her voice still playful as a songbird, she covered the phone and said,
That was the end of sugar and spice.
It was a close call for Robinson as to which he considered more dangerous, the woman or the phone. He took the latter gingerly between his thumb and forefinger, raising it toward his face but meeting it halfway.
She took back his phone from where he dangled it in front of her. The flip-phone snapped shut in her hand, and she held it out to return it. Robinson didn't take the bait. Instead he asked nobody in particular, unless he was talking to the phone, Sugar and spice resumed. She set the phone on the bar and said, Robinson put his phone away with a shrug and turned back to his drink.
The swiveling stopped again, and they were both talking to the same empty space somewhere in front of them.
Robinson squinted and blinked, but it did nothing to clear up the situation's absurdity. After all, the woman had, it seemed, exercised some sort of devious power on his behalf. The IAG investigation was looking like it'd be a whole lot of probing with not a lot of lube. He'd be glad to be rid of it if that--whatever that was--stuck. His tone descended into a serious conversation.
The woman turned and stared him down. Robinson downed the last of his drink to give himself time to think it over. To the empty glass, he said, |